The Making of a Synth-Horror Concept Album
Album art inks
Hey guys, Chris here again!
You probably know by now that I produce music on this label under the name “Dated”, but what you may not know is that I’ve also produced the upcoming Cyberghost album as my first real Dark Synthwave album. This is a pretty sharp left-turn from my usual work in lofi hip hop, so I wanted to go into a bit of detail about why I started making this sort of music, how I learned to do it, what I used to make it, and what inspired this project.
This story begins where all stories about getting into something new in 2020 will - quarantine. While I run this label like it’s a day job, I actually have a “real” day job as an administration manager for an art gallery. March came along, and so did the COVID situation, and I found myself laid-off for about 4.5 months straight due to a lockdown. The first few months were mostly spent playing videogames and watching movies, but after a while I started to get the itch to use the time a bit more productively. Around that same time, I happened to come across a track on Youtube which I hadn’t heard in a few years - Carpenter Brut’s “Escape from Midwich Valley”. While I had heard his music before, and enjoyed it quite a bit, I never really looked into more tracks by Mr. Brut, and had mostly just listened to the odd Perturbator album as my experience with dark synthwave. This time, however, it just grabbed me, and I spent days just listening to dark synthwave music and wondering how they all made it. As someone who has always worked with samples and knows absolutely nothing about music theory or sound design, I have always been mystified as to how people actually make “real” music. For whatever reason, the obsessive part of my personality kicked in right then and there, and I found myself looking for synths to download and searching “how to stay in key” on youtube.
What followed was a solid month of spending about 16 hours a day doing absolutely nothing but looking things up, working on my own tracks, and watching 80’s horror films on Shudder every time I had to stop working to eat something. My girlfriend was coincidentally out of town for the month, so I was able to just go in hard on this whole dark synthwave thing. The first thing I found that really made it all possible was the “stamp” feature in FL Studio’s piano roll. As if magically, I could just pick a key, see what notes were within it, and then just always be on-key if I stuck to those. It took some time to figure out my timing and how to write something that didn’t sound terrible, but at least knowing I wasn’t falling out of key really gave me the confidence to play around with notes until I felt my riffs were getting catchier. The other biggest game-changer was buying some paid synths. Free synths are great and all, but their main issue is that they are generally built to make a pretty wide-range of sounds, and I found myself getting buried in massive preset libraries rather than being able to find those authentic 80’s sounds I wanted. I picked up U-He’s Repro-5 (which comes bundled with the Repro-1), as well as the TAL-U-NO-LX, which despite only being $50 USD is hands-down my most used synth. The TAL is lightweight, has a nice simple arpeggiator, and I honestly don’t think is capable of making a bad, un-80’s sound. The Repro was also great, and allows for much more full, complex sounds which still ooze 80’s vibes, but since it is a much more resource-intensive synth, I found myself using it less often due to the need to bounce sequences out to WAV frequently to keep my DAW from lagging after a few layers. That said, you can hear all 3 synths on pretty much every Cyberghost track, as well as a few later additions such as Serum and Mono/Poly.
That bit of research had the technical bits sorted out, but an album doesn’t write itself. The actual process for creating the tracks was loosely built around a concept - that of a mysterious, isolated town in the woods, being investigated by someone who gets pulled deep into darker events than they had anticipated. If that sounds a bit vague, well, that is intentional. I wanted enough of a concept to help me decide which tracks to make and how to arrange them, as well as what to title them and what album art to produce, but didn’t want some beat-for-beat script I had to illustrate through music. Also helping things along were the avalanche of 80’s horror films I consumed during the time I wrote the album (and consistently afterwards). Some standouts were Manic Cop, The Mouth of Madness, Sleepaway Camp, and Pieces.
It took about a month to get the first 6 of 8 tracks finished, and then I finished the remaining 2 tracks (which were Midnight Detectives and The Ritual) over the course of another month or two once I had returned to work. I drew a few designs for album art and picked one, which I posted in the last blog post, but later scrapped for what would become the current album art (the inks for which can be seen above). I’ve been a visual artist for a long time, so that was probably the most approachable part of this whole project.
And that’s the story of how a guy who can’t play any instruments or write music, and had never touched a synth before wrote a synthwave album in a few months. Whether it turned out well or not will be up to you folks once you can hear the full thing on the 11th, but I’d like to think it turned out pretty decent. If you’ve ever thought about learning to create something new, but thought it was out of reach, I’d urge you to push that negative voice down and just jump into learning about it without thinking. You’d be surprised how things can sort of fall into place, and the process of learning can carry you to a point where you can actually start doing without thinking so much about it.
The full album comes out this coming Monday, January 11 2021. If you want a sneak peek at the album, you can check it out here: https://youtu.be/HkBylYMa6wQ
The album will be available on a limited edition Type II blood-red cassette which comes with a special box and a signed 11x17 poster (limited to 100 copies). There will also be the usual unlimited cassette release, as well as our first CD release. I’ll probably make another post once the album is out to cover some of the physical options, as they just turned out beautiful.
Have any questions or comments? Be sure to drop them in the comment section below!